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Considerations for Evaluating Young Adult Literature Multicultural Books (page 2)

By K. Bucher|M. L. Manning
Pearson Allyn Bacon Prentice Hall

Language

  • Is terminology current or appropriate for the time period?
  • Does the language refrain from including pejorative terms unless germane to the story?
  • Do any dialects reflect the varieties found in contemporary life?
  • Does the dialect reflect negatively on an entire culture?

Author’s Perspective

  • What qualifications does the author (or illustrator) have to write about a multicultural topic?
  • Is the author (or illustrator) able to think as a member of another cultural group and to intellectually and emotionally become a member of that group?
  • If the author (or illustrator) is not a member of the culturally diverse group being written about, is there anything in the author’s (or illustrator’s) background that would specifically recommend her or him for this book?
  • If a book has to do with the feelings and insights of women, does a male author (or illustrator) present these appropriately?

Illustrations

  • Are there stereotypes, oversimplifications, and generalizations in the illustrations?
  • Do pictures demean or ridicule characters?
  • Is there tokenism or European Americans with tinted or colored faces?
  • Is sufficient individuality and diversity depicted within cultural groups?

Sources: Questions developed, in part, from the following:

Jordan, A. D. (1996a). Books of other cultures. Teaching and Learning Literature, 5(4), 23–25.

Jordan, A. D. (1996c). Welcome to my world: Books of other cultures. Teaching and Learning Literature, 5(4), 15–22.

Miller-Lachman, L. (1992). Our family, our friends, our world: An annotated guide to significant multicultural books for children and teenagers. New Providence, NJ: R. R. Bowker.

Ten quick ways to analyze children’s books for racism and sexism. (November 3, 1974). Interracial Books for Children, 5(3), 6–7.

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