The Central Role of Learning in Videogaming (continued)

Learning is pushed even further through the interaction with objects and creatures in the virtual world.  These are called game mechanics, and must be analyzed and understood by the player in order to be adequately dealt with.  At first, the player has to learn the inner workings of specific mechanics he/she wants to use, independent of external goals.  The player then has to learn how to use the mechanics in order to achieve a specific goal.  Finally, many games allow players to be quite creative by using unorthodox mechanics in extra-ordinary situations.  Digital games are motivating learning environments by their own nature.  Players are prone to learn whatever the specific game content requires whether it be positive skills or violent behaviors.

A concrete case: Guitar Hero

A good example of the potential of video games as learning environments is represented by the game Guitar Hero.  These games require players to play famous songs and progress in their career as musicians.  Players must play key parts of each song using a guitar-shaped controller, with the song's backtrack playing in the background.  Learning the mechanics of Guitar Hero implies learning how to identify the notes that must be played and when and how to play them.  As for the identification of the notes, players rely on visual cues displayed on the screen.  Such cues move vertically from the top to the bottom of the screen.  When a specific note reaches the bottom of the screen, the player has to play the note by "strumming" it on the guitar-shaped controller.  The displacement of each cue is synchronized with the backtrack so that notes must be played according to the rhythm of the song.  Hence, in order to play the right note at the right time, the player must first collect and analyze the information provided by the aural and visual game mechanics (the musical backtrack and the animated cues, respectively), understand what note to play, decide when to strike the note, and finally, to learn how to do it by using the controller. Thus, accomplishing the game goals in Guitar Hero requires learning processes that imply the development of both eye-hand coordination and rhythm skills.

Thus far, our findings indicate a relationship between the timing skills required to play the game and general musical skills.  Past research in the music domain has shown the importance that tonal and rhythm pattern recognition has on music learning.  Music learning consists of the recognition and learning of patterns and the structures and relationships among elements that constitute mental representations.  As it happens with language, the exposure to a variety of repeating tonal and rhythm patterns develops a better music vocabulary.  Therefore, playing Guitar Hero on a regular basis could help build the supports for understanding music.

Suggested Readings

de Freitas, Sara (2006). Learning in Immersive Worlds. Bristol. Joint Information Systems Committee.

Fabricatore, Carlo (2007). "Gameplay and Game Mechanics: a Key to Quality in Videogames". Published by the Organization for Economic Co-operation and Development. Electronic version retrievable at: http://www.oecd.org/dataoecd/44/17/39414829.pdf. Article presented at the “ENLACES (MINEDUC Chile) - OECD Expert Meeting on Videogames and Education” Santiago Chile; October 29-31, 2007.

Gordon, Edwin (2007). Learning Sequences in Music: Skill, Content, and Patterns. Chicago: GIA Publications.

Johnson, Steven (2005). Everything Bad is Good for You. How Popular Culture Is Making Us Smarter. Riverhead.

Mitchell, A., & Savill-Smith, C. (2004). The use of computer and video games for learning. http://www.lsda.org.uk/files/PDF/1529.pdf.

Prensky, Mark (2006). "Don't Bother Me Mom -- I'm Learning": How Computer and Video Games Are Preparing Your Kids For 21st Century Success -- and How You Can Help!. Saint Paul (MN): Paragon House.

Prensky, Mark (2007). Digital Game-based Learning. St.Paul, MN:Paragon House.

Van Eck, R. (2006). Digital game-based learning: It's not just the digital natives who are restless. Educause Review, 41(2).