Introductions That Hook Readers
Example:
I will never forget the moment I landed in Rio de Janeiro, Brazil. As the plane descended, I was awed by the dynamic geography and the juxtaposition of the sea, the mountains, and the city's skyline. I absorbed the landscape further and my eyes focused on the favelas mounted on the hillsides.
Why it works:
This introduction takes the reader to an exotic location, describes the landscape, and sets the scene. She tells you the moment is unforgettable, and brings you along with her. More importantly, she does not reveal anything about her subject. You have to read on to find out what her essay is about.
Example:
My thoughts were scattered. I couldn't concentrate on the directions I was being given, and my anxiety about taking the test only increased as I realized I needed to be paying attention. The more I told myself to relax, the worse it got. Palms sweating, heart beating wildly, I somehow got my gear on and jumped into the pool.
Why it works:
Who hasn't felt anxiety before a test? Using emotion as a hook works here not only because anyone can relate to those feelings, but also because the reader has no idea what kind of test is being taken. The mention of the pool gives some information without revealing the entire subject.
Example:
Tom Wessels slaps his felt hat over his bushy hair, and starts striding away with the confident gait of a hiker. The gritty March snow stings our eyes as We scramble to keep up with him, this master of the woods, wise mam of the hills. His book, Reading the Forested Landscape, has been our bible at the fountain School, an eternal reference to the woods. Few people get to meet the authors of books they read, so we speak to him with special reference.
Why it works:
The reader gets to meet Tom Wessels in a well-written description of both the author and the setting in which the writer meets him. There is no indication where the essay is headed—it could be about Mr. Wessels as an influence, or about his book. In fact, it is really about the writer's love of the natural world, and how it was enhanced by her studies at the Mountain School, and Reading the Forested Landscape.
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