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Reggio Emilia (page 3)

By G.S. Morrison
Pearson Allyn Bacon Prentice Hall

The Physical Space

The layout of physical space, in addition to welcoming whoever enters, fosters encounters, communication, and relationships. The arrangement of structures, objects, and activities encourages choices, problem solving, and discoveries in the process of learning.

The centers and schools of Reggio Emilia are beautiful. Their beauty comes from the message the whole school conveys about children and teachers engaged together in the pleasure of learning. There is attention to detail everywhere: in the color of the walls, the shape of the furniture, the arrangement of simple objects on shelves and tables. Light from the windows and doors shines through transparent collages and weavings made by children. Healthy green plants are everywhere. Behind the shelves displaying shells or other found or made objects are mirrors that reflect the patterns that children and teachers have created.

The environment is also highly personal. For example, a series of small boxes made of white cardboard creates a grid on the wall of a school. On each box the name of a child or a teacher is printed with rubber-stamp letters. These boxes are used for leaving little surprises or messages for one another. Communication is valued and favored at all levels.

The space in the centers and schools of Reggio Emilia is personal in still another way: it is full of children’s own work. Everywhere there are paintings, drawings, paper sculptures, wire constructions, transparent collages coloring the light, and mobiles moving gently overhead. Such things turn up even in unexpected spaces like stairways and bathrooms. Although the work of the children is pleasing to the eye, it is not intended as decoration, but rather to show and document the competence of children, the beauty of their ideas, and the complexity of their learning processes.

The Atelier

A special workshop or studio, called an atelier, is set aside and used by all the children and teachers in the school. It contains a great variety of tools and resource materials, along with records of past projects and experiences.

The activities and projects, however, do not take place only in the atelier. Smaller spaces called miniateliers are set up in each classroom. In fact, each classroom becomes an active workshop with children involved with a variety of materials and experiences that they have discussed and chosen with teachers and peers. In the view of Reggio educators, the children’s use of many media is not art or a separate part of the curriculum but an inseparable, integral part of the whole cognitive/symbolic expression involved in the process of learning.

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