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Waldorf Education: Head, Hands, and Heart (page 2)

By G.S. Morrison
Pearson Allyn Bacon Prentice Hall
Updated on Jul 20, 2010

Basic Principles

Waldorf education, like the other programs we have discussed, operates on a number of essential principles

Anthroposophy

Anthroposophy, the name Steiner gave to “the study of the wisdom of man,” is a basic principle of Waldorf education.

Anthroposophy, according to Steiner, is derived from the Greek: anthros “man” and sophia “wisdom.” Anthroposophy, Steiner claimed, offered a step-by-step guide for spiritual research. Anthroposophical thinking, according to Steiner, could permit one to gain a “new” understanding of the human being—body and spirit (Foster, 1981).

Anthroposophy is a personal path of inner spiritual work that is embraced by Waldorf teachers; it is not tied to any particular religious tradition. The teacher, through devotion to truth and knowledge, awakens the student’s reverence for beauty and truth. Steiner believed that each person is capable of tapping the spiritual dimension, which then provides opportunities for higher and more meaningful learning.

Respect for Development

Waldorf education is based squarely on respect for children’s processes of development and their developmental stages. Individual children’s development determines how and when Waldorf teachers introduce curriculum topics. Respecting children’s development and the ways they learn is an essential foundation of all early childhood programs.

Eurythmy

Eurythmy is Steiner’s art of movement, which makes speech and music visible through action and gesture and enables children to develop a sense of harmony and balance. Thus, as they learn reading, they are also becoming the letters through physical gestures. According to Steiner, every sound—speech or music—can be interpreted through gesture and body movement; for example, in learning the letter o, children form the letter with their arms while saying the sound for o. In the main-lesson books that are the children’s textbooks, crayoned pictures of mountains and trees metamorphose into letters M and T, and form drawings of circles and polygons that become the precursor to cursive writing. Mental imagery for geometrical designs supports the fine-motor skills of young children (Bamford & Utne, 2003).

Rhythm is an important component of all these activities. Rhythm (i.e., order or pattern in time) permeates the entire school day as well as the school year, which unfolds around celebrating festivals drawn from different religions and cultures (Bamford & Utne, 2003).

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